
CAMPAIGNS
The Eyes of Oliver
More than Meets the Eye
How do our glasses frame our outlook? Oliver Peoples' Spring 2025 campaign reflects on this idea with a protagonist who becomes visible only through the lens of Oliver Peoples frames. Drawing from evocative Hollywood imagery and its fabled history, director Guy Aroch envisions a world where our eyewear doesn't just shape our view—it transforms our perspective.


Cary Grant Sun
$ 0
Actor Brandon Sklenar, as Oliver,
wears Cary Grant
Sun in the new DTB + True Brown colorway.
The film opens with Oliver, played by actor Brandon Sklenar, coolly surveying the iconic 5-acre grounds of the Beverly Estate. Fortified by towering hedges, the storied property once served as a conspicuous hideout for movie star Marion Davies and media mogul William Randolph Hearst—a location as elusive as our protagonist’s gaze behind the timeless Cary Grant Sun.
The dramatic estate captures the glamour and intrigue of silent-era cinema, reflected in the Eyles sunglasses worn by our fiery lead, Camille Rowe. An onlooker witnesses our co-star confront Oliver, but when she lowers her frames, he vanishes. Was he ever truly there?


Cary Grant Sun
$ 0
A timeless symbol of Old Hollywood elegance, Cary
Grant Sun is
meticulously crafted in Japan and available in two new colorways.
Reintroducing Aero II,
a frame synonymous with '90s Hollywood,
now reimagined in five timeless colorways.


Aero II
$ 0
She wears the Aero II in Silver + Marine Gradient,
a sleek double-bridge
pilot shape that embodies effortless glamour.
Stylish, clever, and effortlessly cool, the Hollywood-inspired 2025 campaign celebrates Oliver Peoples’ legacy of framing Los Angeles. Behind the eyewear, the city’s magic comes alive, transforming spectators into participants and casting each of us as the star of our own movie.


Cary Grant
$ 0
Hollywood's new generation revives the
classics:
Brandon Sklenar in the iconic Cary Grant frame, now in Sencha.
The ingénue captivates in Etlin, a round titanium optical frame available with clear or washed lenses.
Credits
PHOTO AND VIDEO: Guy Aroch
WORDS: Maddie Phinney